The American Film Theatre's Lost in the Stars transforms Alan Paton's world famous novel of racial oppression, Cry the Beloved Country, into a tragic and beautiful film musical unlike any you've ever seen. Gilded by Maxwell Anderson's lucid lyrics and Kurt Weill's (The Three Penny Opera) powerful music, and guided by Daniel Mann's (Playing for Time) sensitive direction, this one-of-a-kind film is both a heartbreaking indictment of a cruel society and a poetic testament to the millions of forgotten lives ground beneath the heel of apartheid.Brock Peters (To Kill a Mockingbird) is Stephen Kumalo, a black South African minister searching the unfamiliar back alleys and shantytowns of Johannesburg for his son, Absalom. But Kumalo's unwavering faith is put to the test when he finds Absalom in jail facing a capital murder charge. Courage, dignity, and sacrifice fall prey to the whirlwind of racist hypocrisy and hollow justice in Absalom's trial. Absalom's reunion and reconciliation with her father, his jailhouse marriage to his pregnant sweetheart Irina (Melba Moore), and his heroic determination to tell the truth no matter the cost set the stage for a tragic climax of both epic proportion and documentary immediacy.Peters, whom Weill declared, "one of the great voices of American theatre," delivers a flawlessly moving performance. Singing the title song, "Lost in the Stars," in an empty church to which he will never return, Kumalo's agony offers spiritual richness in place of poverty and human grace in place of prejudice, even as his heart becomes another casualty of vicious ethnic hatred

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“梦想着别人的房子，别人的公司，别人的钻石的悲哀的女人，就是我的妈妈”看到恩尚的时候，那个一样贫贱、但是又倔强、不停用给钱来保留自尊的恩尚，就是叹渴望的妈妈。贫穷也没关系，我们可以在一起。初始的钟情点就是这样。被哥哥轻贱，在果园里淋到了水，相见的那一刻，共情到了彼此底层的低微。这是深入的感觉。所谓婚姻是爱情的坟墓，初见这一刻，彼此卑微的一面都能彼此接受、温柔相待，我想这是爱情的种子，无论婚姻多么沉重，都能再生发的一枚种子。

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该剧是一部以唐朝初期悬案为背景的电视剧。这个案件牵扯出了一系列复杂的线索和谜团，独孤作为一位聪明过人的死刑犯，被委以调查此案的重任。然而，在调查过程中，却发现了一个惊天阴谋，从而使得案件更加扑朔迷离。

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励志亲情电影该剧在台州开机，邓安东执导，陶慧、张晨光、乌兰托雅·朵等主演。故事讲述了一个在父亲突然离世，母亲突患精神疾病的小女孩，靠自己的双手撑起一个家的励志故事。预计于年上半年全国上映。

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盗墓剧拍成了男二女二的民国虐恋…女二死了还要反复回忆加感情戏，和盗墓有毛关系。反派配角戏都比男主女主多。这部戏简直就是是土夫子们围绕"丫头"展开的各种强行结仇，各种虐恋，对此女的种种回忆和反复回忆。启月戏份少，但扮相极佳，故事对题。张艺兴的京剧扮相太丑了，但应该是化妆师的问题。女配们整容痕迹太明显了。特效真是太差了，绿棚效果还不如直接在背后贴张纸。