Kreatur is about the human body. Isolated or attached to a community, it becomes distorted under pressure. The show's based on the ideas of taking or losing power, of thinking about otherness or looking at oneself, of loving or hating oneself. And in visiting a former Stasi prison in Berlin, Sasha Waltz and her dancers found memorial and sensitive points of reference to work on the inhuman confinement that forced people to stay forever upright and awake. The choreographer alludes to a world in which physical and physiological constrictions force us to stay in movement. The body becomes the symbol of a struggle, caught as in a vice between concrete sensations of imprisonment and feelings of a freedom still to experience. To find our respective parts of light and darkness, she wanted to work with great artists to design the costumes, the space and its reflections, the metallic and concrete sounds of the show... All of it comes together to create a minimalist world in black and white, in which only the skin, the living, create colour, and where the creatures we see are images from a potential future, at once familiar and unknown.
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给大家讲个看似笑话却真实的小黑猪的故事,冲这个小黑猪确实该打高分,实力抢镜而且年代感十足。因为孩子只吃过猪肉没见过猪跑,给她讲了我小时候奶奶家见过的小黑猪,跑来跑去不臭不肥不懒,可爱,决定回老家婶婶家看看,结果看到的是懒懒的胖胖的臭哄哄脏兮兮的大白猪恶心到了,年生活不好猪吃野菜都是瘦的,而且黑色、花色居多,体型小,白色肥猪后来才引进,正午剧里连小黑猪都很有年代感,而且会抢镜,和我小时候讲过的几乎一样,也是细节良心啦
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最好的顾燕帧,最好的烈火七子,演技都非常棒,尤其主角许凯,前途不可期,可萌可甜,可酷帅,可认真,一个转身,一个眼神,一抹微笑,人物刻画非常到位,爱了,还有女主,男二,女二,都非常有代入感,演技都可圈可点,没看过的可以好好看看,对于一部后演员出演的剧实属难得,之前没有粉过任何明星,看了这剧一下被凯凯圈粉了,真的是很棒,一些整容脸演戏很容易出戏,因为表情僵硬不自然,这部剧每一个人都可以做一个表情包,很可爱。顾燕帧,人如其名,好看又好听,关键又皮又痞又傲娇,让我一个后的老阿
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南京,一个充满战争和灾难的城市,一个充满阴谋和背叛的城市。在这个城市中,金深水这个拥有多重身份的特工,不断地在军统、汪伪政府和日本军方之间游走,为了保护自己和祖国,他在刀尖上小心翼翼地前行。而他和林婴的相遇,让他开始了一场新的冒险之旅,也让他开始了一场真正的觉醒。
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这部剧是很久之前看的了,说实话,有很多情节已经忘得差不多了。有一幕我记得很清楚,因为我当时看的时候挺生气的。是说一个警察去找了真纪的老公,告诉他真纪不是真纪,以及她家的一些事情。真纪幼时丧母,事故的时候真纪和妈妈走在路上,压根都没想到下一秒就会天人永隔。加害者是一个岁的少年,据警察所说,少年当时是为了去看刚出生的弟弟。加害者的家人没了房子丢了工作,这也要怪受害者?受害者索取赔偿金,难道不是应该的吗?加害者是孩子啊,他只是想去看刚出生的弟弟啊,人家都已经失去了所