As a teenager growing up with dreams about making it as a writer or an actor in Hollywood or on Broadway, I was obsessed with the 1940’s and 50’s when everything seemed so much more magical, powerful and most of natural.My fascination with James Dean eventually brought Montgomery Clift to my attention and during those pre-internet years I devoured every little bit of information on him I could find and it still wasn’t enough.Although he starred in only 17 films during his short life, they were incredibly hard to find and I mostly had to rely on them being broadcast on television to record them onto VHS. I still have them, minus the ones I never caught or simply weren’t shown during that time, like Freud: The Secret Passion (1966), The Defector (1962) and Lonelyhearts (1958).Biographies were also difficult to track down, including those by Patricia Bosworth, Robert La Guardia and Barney Hoskins. Yet one day, while browsing the documentary shelves at the Buy, Sell & Exchange in Camden, I spotted a VHS tape and literally had to rub my eyes not once, but twice, just to check I was seeing right. It was a feature length documentary on my idol, Montgomery Clift, for £1.Written and directed by Claudio Masenza, who had previously documented the lives of Brando and Dean, and featuring an impressive interview cast, this was an incredible find. As Masenza retraces Clift’s life, from his toddler years, through to his Hollywood years beginning with The Search (1947) and ending with The Defector (1966), we get some very rare insights into the life of this enigmatic actor with previously unseen home footage shot by family, friends and Clift himself.What we also learn about him is that he was something of a daredevil, a kind soul and a sensitive man, one who couldn’t bear the thought of others suffering. We also hear from his friends how his personality would change at the blink of an eye, either when he drank or when the mood would hit him.The documentary dwells heavily on this side of him, as most biographies on Clift do. As someone who has looked up to him for so long, it saddens me to hear his life told with such tragic tales, as if he was born destined for loneliness and suffering. This is why the home footage struck me as so amazing; here he is smiling, laughing, fooling around and enjoying himself. This is the Clift I like to think of.It’s a great documentary for anyone who is a fan of this remarkable and talented actor. It offers a truly extraordinary glimpse into what he was like with his friends and he looks extraordinarily handsome in the home footage. Good luck in finding it though, it has never been available on DVD and the VHS has become a rare find, although you might still find the odd copy at Amazon.
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一场意外的发现,将改变所有人的命运。这句话揭示了故事中的一个重要情节,即馒头意外闯入戏鼓船,从而引发了一系列的连锁反应。这个意外,也许会成为故事中最重要的一个转折点。
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这部影片以云南丽江华坪女子高级中学校长张桂梅的真实事迹为基础,讲述了一群年轻女孩在张桂梅校长的带领下的成长历程。影片展现了张桂梅校长对教育事业的执着和热爱,让观众感受到了她所代表的正能量和力量。这部电影将激发观众的爱国情怀和青春活力,向观众传递了热血和拼搏的精神。(共条)
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提莫西·查拉梅的出色表演让这个角色更加生动鲜明,充满魅力。
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在开始正文之前,我要先再次推荐一下自己在停更期间发的四篇文章—— 《风骚律师》之性爱篇:因为坏,所以爱 《风骚律师》之纳乔篇:罪与爱之歌 《风骚律师》之霍华德篇:不坠凡尘 《风骚律师》之镜头篇():吉恩的“白天”与“黑夜” 写这些总结分析花了我许多时间精力(最后景怡那篇关于“吉恩线”的拉片式解析还能做成一个新系列),身为作者和号主,我自然希望有更多观众能读到文章,特此吆喝一声,感谢捧场!本集的标题是《Point and Shoot》,顾名思义就是字面上的“瞄准射击”,这集里有太