This 1987 film represents the first substantial documentary devoted to virtuoso saxophonist and bebop icon Charlie Parker, whose wildly inventive style and hip charisma made him a legend well before his untimely death at 34. Parker's huge, ultimately self-destructive appetites and sad demise long ago confirmed him as a poster boy for the doomed romanticism associated with the jazz life, and arguably apotheosized in a number of the bop era's most brilliant players, but while the film doesn't ignore Parker's life as a long-term heroin addict, the portrait hews more closely to exploring his creative genesis.Through film clips, stills, and interviews with family members, musical peers, and writers, we follow Parker from his native Kansas City, Kansas, through his apprenticeship with band leaders Jay McShann and Bennie Moten, and on to New York. There, Parker would step forward as a de facto co-architect (with erstwhile partner Dizzy Gillespie, among others) of bebop, the small-group style that hot-wired swing rhythms and pop melodies with breakneck tempi, inventive harmonies, and extended improvisations, leaving behind the terra firma of swing for the high wire of a musician's music that mainstream listeners initially found daunting to follow.Liberally scored with Parker's best-known performances, Celebrating Bird represents one of the most literate jazz documentaries extant, thanks to writer and codirector Gary Giddins, one of America's most thoughtful jazz writers, and Toby Byron, the producer behind the Masters of American Music series including The Story of Jazz. Engaging interviews with McShann, Gillespie, drummer Roy Haynes, veteran jazz writer Leonard Feather, first wife Rebecca Parker Davis, and final companion Chan Parker provide a balance of musical analysis and personal insight. For Bird's fans, this is a treat; for newly converted listeners, the story represents a keystone to the history of the music's crucial transition from swing to bop and beyond.Celebrating Bird is a revealing look at an enigmatic yet endlessly appealing man, who soared to the heights of creative freedom but couldn't beat a lifelong addiction to heroin. It includes a TV appearance with Dizzy Gillespie and rare footage with jazz greats including Billy Eckstine, Count Basie, Art Tatum, Thelonious Monk, Louis Armstrong, Kenny Clarke and Lucky Thompson, Lester Young, among others. This exciting soundtrack contains many of Parker's finest recordings including: Ballade, Yardbird Suite, Relaxin' At Camarillo, Just Friends, Koko, Confirmation, Au Privave, Kim, and Bloomdido.
飞翔鸟 查理帕克的胜利电影免费在线观看高清完整版
该剧是一部展现当代年轻人生活现状的电影。故事围绕在大城市拼搏的李一甜展开,展现新一代年轻人的生活现状,聚焦当代社会努力生活的普通人,从理想到无奈又到新生的痛苦和奋斗的过程。
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版权归作者所有,任何形式转载请联系作者。作者:你在百花深处(来自豆瓣)来源:https:moviedoubancom/review//于妈剧的巅峰之作,也是林心如演技和颜值的巅峰,剧里的女子都不负剧名,当的起美人二字,有宫斗,有权谋,有历史,也有缠绵悱恻的爱情最羡慕的是窦漪房和刘恒,帝后之间难得有真情,暂不论历史如何,只看剧,都是十分难得。演刘恒的演员是真的帅,有匪君子,如切如磋,如琢如磨,既有帝王的气度,也有文人的风采最遗憾的是窦漪房一直都误解了刘启,直到启儿走了,武儿也走了…
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该剧不仅是一部充满悬疑和惊悚元素的科幻剧,还通过独特的视角展现了当代社会的现实问题,具有很高的观赏价值。
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主题曲还不错,挺好听的,还是何晟铭唱得好听,杨幂唱得难听死了,走掉、生硬、装嫩!!!虽然何晟铭演得四爷有点破坏我心中雍正的形象,但是人腹黑的时候还是挺带感的!尤其是主题曲还唱得这么好听的时候,那深情的形象就一下子深入人心了。雍正其实也是个可怜的主儿,被亲娘利用对抗胤禩,有亲娘是这样子的吗?真是太偏心了,十四爷还真是好命啊~难怪雍正那么恨德妃,恨得好!这剧里十三爷的形象真实掉架子啊,简直连雍正也不如,我从没想过胤祥是这种人啊,气的吐血……这不就是个阴线狡诈的偷鸡不够反蚀米的小人吗?说起偷鸡不够反蚀米,编剧是跟雍正有仇吗,怎么这里面雍正如此不堪,不仅不堪,而且还特别小人不得志,每次玩弄权术都失败。、他给太子出馊主意搜刮官员家的珍宝,结果我们的太子小天使为了不让皇阿玛偏爱他,不忘补上老四的功劳,这都是老四给我出的主意啊!老四当时就被气得吐血。、民间冒出了个朱三太子,我本以为无比厉害腹黑的雍正肯定能拿下这个小case,给小白晴川和大白老八一个下马威什么的,结果雍正无比二地中了人家的