A woman whose father is a public servant travelled and moved often as a child and hence was raised in Kagoshima, Okinawa and even Taiwan. Following her high school graduation she married a man from a rich family, but the man neither liked his father nor accepts money from him. Instead he works as a teacher. She had grown up well-to-do as well, but being a mere teacher's wife now she has to accomplish all the housework on her own including taking care of their two daughters. Her brother visits them one day looking for help in finding a job. He has written a poem and submitted it to a magazine. Her father also visits. Still looking for work the brother travels to China. She also begins writing and submitting poetry now. Her name is Hisajo Sugita.

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/｜中国电影博物馆IMAXGT提前观影（一刷）几近完美的宏大叙事我从小就很讨厌“拯救世界”式的好莱坞大片（个人喜好无意冒犯），因为始终不相信个人英雄主义的意义。但尽管这部影片存在诸多局限性，有意思的是，它有建设性地浓墨重彩地展现了英雄主义的「悲壮性」。三线并行的叙事结构和后一个小时所展现的价值冲突共同构成了几近完美的宏大叙事。我们知道无壮便无以言悲，但我们未必了解历史的多情和冷漠，每一个英雄或枭雄，壮丽也必然壮烈。因为世界上最可怕的价值冲突不是善恶

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看完电影好像很多人已经不在意男主的死因了，大家（豆瓣评论）都在以一种相当成熟的方式在探讨两性，婚姻甚至各种情感关系。当然这种成熟的探讨和思考是值得提倡的，但为什么我在现实世界里看不到这么多成熟的思考呢？可能就是旁观者清当局者迷吧。如果就讨论婚姻和两性关系来讲，我想我们的社会我们的素养都差的很远，甚至某些理解都不如我们口中憎恶的封建社会，淡然这么说很片面，但是片中女主角说的家庭中夫妻各自有分工的，她完成了她的部分，这个在我们的“封建社会”做的特别好，但也就是这么一点片面的好

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故事中的马寅波是一个充满幽默感和智慧的人物，他的行为让人不禁感叹人生的奇妙和无常。

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该剧（生成条）