When Pawlikowski visited the Dostoevsky Museum in St Petersburg, he learned that Dostoevsky's only descendant, Dimitri, was still alive. The director found Dimitri in Germany and, after agreeing to pay him a thousand pounds, began filming. After their first meeting, the director thought that Dimitri "had grown a beard to look more like a Dostoevsky and I thought, a great face, great character, he could be a good key to the East/West situation today."Dimitri is invited to Germany by the members of the Dostoevsky Society. He is asked to give a series of lectures about his great grandfather. He knows little about his illustrious ancestor, and his only ambition is to earn enough money to buy a Mercedes. Dimitri feels burdened by his relative's status, because everybody expects him to be a 'prophet', just as Fyodor was considered to be. The film blends real events with fictional elements; the meeting of Dimitri Dostoevsky and Count Tolstoy in London is accompanied by a voiceover explaining that Fyodor and Leo never met, suggesting that Dimitri's story might itself be a fiction. Perhaps, we wonder, the whole film is a trick, and Dimitri nothing more than a conman.Dostoevsky's Travels ruminates on the collapse of the Soviet Union and Russia's transition to capitalism. Dimitri's yearning for material goods is hilarious, remarkable and full of pathos.
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这部电影是一部以樊锦诗为主角的电影,通过她的亲身经历讲述了敦煌研究院建院以来几代敦煌人为了保护和发展敦煌事业所做出的贡献。这部电影让我们更加深入地了解敦煌研究院的传奇故事。
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这部电影以一种极富诗意的方式呈现了生命的无常和变化,让我们对生命充满敬畏和感激。
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其实很多朋友说老金对娜娜很不错了,把她养大,供她上学,可是爱呢?尊严呢?老金把娜娜赶上去找母亲的大巴,没有想过母亲又一次抛弃了她。强迫娜娜学游泳,跑步,发烧,躲柜子里,父亲一直不回来,那些藏在日常下的微妙的日常其实很伤人心,很伤很伤。小时候有一个暑假,我和妈妈住,妈妈每天在我起床前做好一锅粥,够我吃一天,还经常在晚上我睡觉后下班回家。曾经有连续好几天都没有见到妈妈。我真的快疯掉了,经常会在家里一个人哭,因为孤独,感觉全世界就剩下我一个人。我喜欢躲在被子里,或者披着毯子
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文|梅雪风文章首发于《GQ报道》一先聊聊《河边的错误》。其实电影的结构可以简单粗暴的来理解:马哲进入梦境时看到局长穿着一件粉红色的西服,就是导演特意给梦境场景打上的暧昧却显著的水印。其后所有带有红色色块的场景,都可以理解为幻想场景。为了强调这种幻想和真实的区别,魏书钧特意用两个几乎一致的场景做了细微的强调,也就是马哲去局长办公室汇报工作室。前一次,他看到了局长的椅背上挂着一件和他梦境当中一样的粉色西服,这其实也在已经在暗示他所谓的醒来,只不过是他梦中的一个假象。而后