In the conservative (and often anti-democratic) Cold War climate of post war West Germany, Fritz Bauer, the General State Attorney (Prosecutor) of Hess and Lower Saxonia, like no other, saw clearly and spoke frankly. He fearlessly and tirelessly promoted the democratization of the country. We will pull back the curtain on the political climate of the young republic of West Germany and reveal the faults of the Adenauer era as well as the obstacles Fritz Bauer faced while trying to promulgate democracy. The investigation will be supported by moving testimonies and impressive archival documentsAfter 37 years as a cold case, we may hit some dead ends in our investigation; much of the 'Bauer File' is still classified and under lock and key.... But the deeper we delve into Bauer's life, the more we discover an exceptional personality. That is the man we want to memorialize with this film.WHO WAS FRITZ BAUER?He was the most widely known public prosecutor in the Federal Republic of Germany. A Social Democratic legal philosopher and human rights advocate, he believed that "discomfort was the first civil duty." Bauer was convinced that a citizen had not only the right but the duty to resist brutal acts of the state. He fought for this in a sensational trial in Braunschweig (1952/53), the so-called “Remer Trial” ( Ernst Remer had accused the July 20, 1944 conspirators -- who attempted to assassinate Hitler -- of being traitors). Bauer won the slander suit and the conspirators were rehabilitated. Bauer also used the trial to justify and defend the meaning of resistance against HitlerWith the Remer trial as a precedent, Bauer used his newfound notoriety to reveal and avenge other Nazi-crimes. As Attorney General for the state of Hesse (1956-1968), he was the leading prosecutor of the world famous Frankfurt Auschwitz Trails.Bauer also played an important part in the abduction and extradition of the notorious Nazi war criminal, Adolf Eichmann. Since he had reasonable suspicions that the German Court would neither demand extradition of Eichmann nor properly indict him for the many thousands of murders he had ordered, Bauer revealed the whereabouts of the notorious executor of the “Final Solution” to the Israeli secret service (the Mossad), so that Eichmann could be tried and sentenced in Jerusalem.During his term of office in Frankfurt, Hesse became the leading state in the campaign to reform the West German judicial system. To Bauer, its “humanization” was essential for a humane society.Through his frequent, often sensational appearances -- he once addressed prisoners as "my comrades" -- and because of his relentless pursuit of Nazi crimes, Bauer became a disturber of the peace while the Adenauer government was trying to ignore National Socialist crimes. Criticism of Bauer came from both the political right and left. Bauer’s essays and speeches with titles such as ”The Murderers Among Us" and "In the End were the Gas Chambers" offended many ordinary Germans in the 1950's and 60's. Bauer, a Jew, became the target of anti-Semitic slurs. Ordinary middle class Germans who had failed – or refused -- to recognize the danger of handing over power to Hitler, were similarly indifferent to the Nazis who still held government positions in the young Federal Republic. Bauer was horrified that German society paid no heed to its past; there was no possibility of a new beginning with these old attitudes still pervasive.Bauer’s ideas were rejected by everyone--conservatives, opportunists, and pacifists alike. West Germany suffered from what is known today as "postwar syndrome;" fighting the Cold War was more important than confronting old crimes. This was true both for the young Republic and for its new allies, particularly the United States. Bauer did not succeed in overcoming this blindspot. The right wing launched intrigues, acts of sabotage, and personal attacks on Bauer in the attempt to destroy his reputation. Only after a new generation came of age in 1968 did Germans make an attempt to “confront their past.”Bauer was too far ahead of his time. His vision of a righteous humanitarian society, subject to international law and an international court, were unacceptable to the vast majority. The right conditions did not exist. West Germany’s reluctance to confront its past took decades to overcome—and by then Bauer was dead.More and more, Bauer withdrew into his work on political trials. He described his position in the judiciary as one “of exile” (because of the system's toleration of old Nazis) and his environment as a "hostile foreign country'"The “emergency acts” instituted by the Bundestag in 1968 severely demoralized Bauer. Aimed at countering student protests and terrorism from the radical left, the restrictive laws did not affect the formerly Nazi, anti-democratic right. Bauer saw this declaration of a state of emergency as a turn towards an authoritarian state, in which the young republic gave up the democratic ideal in favour of self protection at all costs. When the “Dreher paragraph” inserted in the criminal code in May 1968 led to the invocation of the statute of limitations for murder, it brought a halt to the prosecution of a large number of Nazi war criminals. Bauer felt that his life work was finished.Shortly afterwards, on June 30th, 1968, he was found dead in the bathtub of his Frankfurt home. The room had been "thoroughly cleansed." Bauer’s unfinished writings and research materials were usually scattered everywhere. But everything had vanished. Even today the mystery of his death remains unsolvedThe director has carried out meticulous research in the archives and obtained startling testimonies from the General State Attorney in Hesse. Around this she has built, in the form of a mosaic, extraordinary film archives, selected works of classical and contemporary music as well as the eye witness accounts of Bauer's contemporaries: friends, relatives and those who fought with him for justice. This film not only provides the exciting biographical depiction of a unique life, it also paints an impressive portrait of one of the most important lawyers of the 20th century.
弗里茨·鲍尔——死谏电影完整版
导演用细腻的镜头和感人的故事,讲述了张洪攀登珠峰的艰辛历程。他的坚定和勇气令人感到震撼,同时也让我们意识到人类在自然面前的渺小和脆弱。
弗里茨·鲍尔——死谏 1080P
大家假期好,我是小白,我的主人自然是灵汐。大家一定都记得我,我那么可爱,和我的主人一样。?虽然我的戏份只出现在第集到第集里,但我背景深厚,出场意义更是非同一般。请容我带上眼镜,拿上教鞭,当回叫兽,说说我与主人的渊源。一、我是不是白泽?有很多喜爱缘缘的朋友一早推断我就是下凡历劫的白泽。我想说,这个推断是完全可能成立的。从剧情交代来看,我从下界被小青鸾带到天宫纯属偶然,命运让我认识了我的主人灵汐,可惜我太过柔弱,在天宫遇害,主人又将我通过洗仙池送回凡界,助我成功
弗里茨·鲍尔——死谏免费观看
如何形容这部片?#无数实力派老演员#国师执导#扫黑除恶无论哪一个话题可以都可以说是爆点拉满,充满看点。本人也是带着期待的走进电影院,但最后却拎着失望离开。遇到这样的题材,我脑海只会出现四个字“跌宕起伏”但《坚如磐石》给我的感觉就是“牙膏硬挤”强行加节奏。而且个人觉得影片有两个最重要的点有问题。剧情人物(可以说是最重要的两点)首先,我们先聊一下剧情。(以下剧透较多)一句话故事:公交雷管爆炸事故引出市里黑恶势力,中央派督导组进行扫黑。一条条大鱼浮
弗里茨·鲍尔——死谏免费看
该剧:陈妙,周冬雨饰,是一名自媒体主编。她意外收到一位当事人的求助,从而陷入了一场意想不到的陷阱中。影片中,陈妙与当事人、合伙人何言、资本集团总裁岳鹏之间产生了千丝万缕的联系。他们共同面对了一场以网络为载体的正义之战,这场战斗揭示了网络世界的真实面貌。该剧是一部揭示网络世界真相的电影,观众值得期待。