A special concert for a special occasion: On the 70th anniversary of the liberation of Auschwitz in January 2015, musicians of the Berliner Philharmoniker played on violins which had once belonged to victims of the Holocaust. This project was made possible by the Israeli violin maker Amnon Weinstein who has collected and restored these instruments over many years. Each has its own moving story: the violin played by Guy Braunstein – former first concertmaster of the Berliner Philharmoniker who returned to the orchestra for this concert – belonged to a prisoner in Auschwitz, while other instruments had accompanied Jewish musicians on their flight to Palestine.In this documentary, we visit Amnon Weinstein in his workshop in Tel Aviv and are shown several of his instruments. The film also takes us to London to Anita Lasker-Wallfisch, who once played cello in the orchestra of Auschwitz and talks here about her experiences. At the end of the film we return to Berlin. It was not easy for Amnon Weinstein to journey to the former “Reichshauptstadt” where once the extermination of the Jews was decided and planned. It was all the more moving for him to see the musicians of the Berliner Philharmoniker explore his violins and ask in great detail about the historical background of the instruments.In the concert in the Chamber Music Hall of the Philharmonie, the significance of the name Amnon Weinstein gave his collection – “Violins of Hope” – finally becomes apparent. Because this is exactly what his instruments represent: in addition to the grief of loss, they represent in particular hope and the power of music to trust in the future.

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谁的青春里，没有过一个本以为会白头偕老，却擦肩而过的重要的人呢？昨天和朋友看完《你的婚礼》之后去吃涮锅，谈及他和他老婆的恩爱相处之道，他说有一个原则他们俩做的非常好——「有些话，是无论如何不能说的。」对于非常亲密的人，我们的心扉敞开的越大，可能被言语的攻击收到的伤害也会越大。而这一层永远不可磨灭的伤痛和芥蒂，会让辛辛苦苦经营的亲密关系瞬间打破。即使还深刻地爱着彼此，也走不下去了。这一点，周潇齐和尤泳慈在这样一部真诚而现实的电影里重现了全过程。当周潇齐和朋友在葬礼外

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前一日酒醉的厉害，导致第二天极度难受，就没有再去喝酒了，我记得写过前任的观后感，前任依旧给我感受如此，一些冲突的对话搞笑一些，剧情或者情节都对我感受不深，同行的老钟看着看着玩起了斗地主，出来后还一脸兴奋的说他就是那个郑凯，他喜欢那个有酒窝的妹子，要找就找这样的结婚。前任系列到此估计也快结束了，人生如此，经历一些人，离开一些人，终归是要失去的，我很认同剧中那种性格，失恋过后一人习惯了独处，用同样的套路、同样的话语，甚至都会知道对方的回答，重复的事情始终让

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真的是服了高俅了，因为球踢的好（除了球踢的好，另外就是在大人物面前会“来事”吧，再一个的话，有运气的部分，经过几层转介绍，得以结识些“大人物”），最后去到了宋徽宗的身边，还成了高太尉。从此奠定了一个基础，小人当道。宋徽宗也真的是服了，竟然说不会当（官）就学着当嘛。（高俅要是真的学那还好，关键是也不知道他学没学好，最怕小人得权，会以权谋私，而不是造福民众，为民伸冤）高俅也真的是心狠手辣，进了端王府之后，之前的狐朋狗友来找他，为了不跟他们往来，带人到约定的见面地点狠狠地

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该剧聚焦当代都市年轻人的生活困境与无奈，通过李一甜这个角色展现新一代年轻人的真实状态。在大城市中拼搏的她在面对现实压力时，从理想到无奈，再到新生，展现了这段过程中经历的种种痛苦与挑战。她的成长经历不仅反映了当代年轻人的困境，也向观众传达了一种积极向上、勇敢面对困境的精神。