They’re the band that everybody has an opinion on, the band that spawned a thousand copyists but combusted too soon to achieve their true potential. In 2004, two years after releasing their first single, The Libertines split. Then in 2010, Carl Barat, Pete Doherty, John Hassall and Gary Powell reunited to play Reading and Leeds, the biggest shows of their career.Frequently described as the UK’s most important music photographer and photojournalist, Roger Sargent was responsible for shooting many iconic photos of this acclaimed British band. His debut feature THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is an all-access music documentary that spans the period of time from the announcement of this reunion to the weekend of Reading and Leeds. With unrivalled access to their inner sanctum, Sargent’s aim was to look beyond tabloid headlines and give an intimate insight into a band reforming and friendships repaired. Rather than taking a strictly linear approach, it’s the spirit that Sargent wanted to capture: stories and moments retold and relived by the band themselves. This includes whimsical, romantic snapshots of the bands history told by band members in locations which resonate with them: for example, a day with Pete in Paris, and Carl giving a guided tour of the “Libertines East End” including a visit to Bethnal Green’s Libertine Alley which is graffiti-scrawled with song lyrics, and Brick Lane’s famous bagel shop. Profiling each band member individually and collectively – something which has never been done before – each of the boys have the chance to put their story in their way. Including access to rehearsals, warm-up gigs at The Forum, and the Reading/Leeds weekend, the film also makes use of Sargent’s unparalleled archive of photos, and altogether it’s as much about the band rediscovering The Libertines as everyone else.Thanks to Roger’s long history with the band, The Libertines goes behind the tabloid headlines to give viewers unrivalled access to the love, laughter, passion and power of a band which united and inspired a generation.”Following a brief sojourn at Melody Maker and ID Magazine, Roger Sargent went to NME, surviving trauma and trends for over a decade. Having worked for Rolling Stone, Mojo, Daily Telegraph, and The Guardian amongst others, he has most recently won critical and popular acclaim for two major exhibitions, The Libertines – Boys In The Band and Future Legends. An exhibition of his photography will run in Spitalfields Market for the duration of East End Film Festival. THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is his debut feature.
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该剧是一部以职场为背景的喜剧电影，讲述了胡建林和马杰在大厂中的故事。电影中，二人在面对裁员风波时，尽管心情沉重，但仍然保持着乐观和幽默的心态，让人不禁捧腹大笑。这种乐观和幽默的态度，也让电影更加生动和有趣。
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在这个充满矛盾和冲突的时代，四爷张兆辉和商业调查厅厅长左君哲的明争暗斗，成为了一道讽刺社会的黑色幽默。他们代表着当时社会的权力和利益，而他们的斗争也在某种程度上反映了当时社会的困境和矛盾。
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笔者小时候看过不少冷面却智商颇高的男角色。比如甚少爱笑却聪明睿智的李寻欢。比如思维缜密，办事细致的花满楼。再比如聪明果敢的布成龙。不爱笑的角色看过很多，但是能够兼具聪明和智慧并存，又能够阳刚与帅气兼具的角色确实不多，任嘉伦的《锦衣之下》可谓是难得的将一个睿智机敏、英俊阳刚男角色演绎的惟妙惟肖的好演员。我一直很喜欢任嘉伦这个演员，无论是《大唐荣耀》的李俶，还是《天乩白蛇传》的许宣，他都是一个眼神有戏，灵性十足的好演员。最开始认识任嘉伦是《大唐荣耀》李俶那眼神里
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虽然评分不高，但还是在“阳康”的过程中一口气看完了，倒是觉得亮点不少：男一号其实之前并没听说过黄子华的大名，但一翻他的简历顿时吓了一大跳，掰着手指头一算，竟然已经年过旬（黄子华生于年），这就简直要惊为天人了。虽说对于“栋笃笑”也完全不熟悉，但单口相声（栋笃笑是黄子华独创的港派单口相声）总是让我忍不住想起自己年幼时对于刘宝瑞老先生《连升三级》的温暖记忆。要说片中男主的演技有多好倒也不见得，但家中长兄的气场，艺术工作者的书卷气，倒还是表现得挺到位的
