The film was one of a series that attempted for the first time to capture the unique and high romantic Western novels of Germany's greatest adventure writer Karl May. Now, more than 30 years later, and with a video copy of the film in my library to look at when in the mood, I find this version of Karl May's novel rather quaint and clumsy in terms of script/screenplay and certainly out of step with the more popularised versions of the Wild West.However, May's portrayal of late 19th century America was always a mixture of well researched facts mingled with high romantic fantasy adventure in the "Knights of the Round Table" or "Star Wars" vein. In this regard, the film does capture the spirit of Karl May's novels pretty well, if rather geared towards an assumed prior knowledge by the audience of the characters and of May's novels. From today's sophisticated movie audience's perspective this film version of "Winnetou I" is still noteworthy for its magnificent soundtrack rivaling any John Williams score, and for the noble portrayal of the hero by French actor Pierre Brice, who made this role his own in numerous sequels and stage shows.

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该剧是一部颇具历史背景的悬疑电视剧，通过讲述唐朝初年一场祈雨祭祀引发的一系列离奇事件，揭示了当时的政治斗争、宗教信仰和民间传说。这部剧集合了悬疑、历史、权谋等元素，既具有观赏性，还具有一定的教育意义。

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该剧是一部充满科幻元素的电影，讲述了一个普通程序员在梦中经历了陌生森林和两只狗熊的故事。在跟上司出访大客户的过程中，他决定展开一场奇妙的时空冒险，去寻找自己的真正身份和挽救旧时间线里的熊大熊二。这部电影既有趣又感人，让人对光头强的勇气和智慧感到敬佩。（条）

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?剧情改编自同名漫画《照明商店》，影片前四十分钟营造出很浓的惊悚气氛，有一种很强的故事感。剪辑上并没有因为角色多故事线多而产生混乱的感觉，每一条线的情感故事都非常感人。前面埋的恐怖点最后都变成催泪弹。?女主从公寓跑向照明商店和从医院走廊奔向急诊室的联动设计真的太棒了！把剧情从疑点重重大反转到揭露真相。剧情里的灯泡代表着生命的希望，商店老板和主任医生是同一个人，不论在哪个世界，他都是给人带来希望的人。母女俩生离死别的戏份真的让人感动落泪，母爱伟大到会把因交通事的责任揽

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之前就看过顾晓刚导演的《春江水暖》，当时就被其中蕴含的叙事、美学、哲学等多方面所吸引，富春江畔的市井画卷至今还烙印在我的脑海。这次有幸受友之邀在东京看到了电影《草木人间》的首映，给我的第一感受就是整体的色调以及音乐、镜头的运用，所呈现出的壮丽景观都恰如其分。青色水墨图卷，晕染展开。以景为引，不同的地点切换引出关键剧情和主人公们的心路。浮现的书法艺术、“茶发芽”的喊山、“人在树在，人倒树砍”的特别风俗都是非常有意思的创新点。同时电影中还有一些类似舞台剧的效果呈现，也是蛮有