一位驻扎在科索沃名叫西穆尔的年轻美国士兵被派遣到索非亚三天。全程乘坐夜班车,陪他一起的是罗斯科。他和其他士兵安顿在罗迪纳宾馆,就是那种20层的美国式的乱糟糟的客栈。在宾馆里面他遇上年轻的乌克兰妓女梅拉尼。西穆尔欲带着她离开那里,送她到美国后再重逢。他考虑要从皮条客伯扬手里为梅拉尼赎身,伯扬还从事着玫瑰香精的职业。他从事这些“正当”事业主要为了掩盖他的罪行。然而更不可思议的是……
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“When you think of Tarkovsky's cinema, especially Mirror, you see how an image isn't just created, but is linked to a history of representation, a history of forms, of images, of icons, but we can see how the image is propped up by another field, that of thought, of the Logos In this sense, filmmakers are not necessarily philosophers but the cinema pays a lot of attention to what philosopher are doing, but also to what poets create It's in that sense that cinema is a powerful form of experimentation, it's an art which grasps the relation that one has with the world, with things, with the being – there of the world, the cinema puts you face-to-face with ontological dimension of the world, when you're face-to-face with mountains, or flowers, face, a forest, a lake – in this attitude, this face-to-face, our fragility and our destiny is measure, at the same time as the strength of ou
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爱情片重要的东西,一是故事,二是拉扯感,也可以理解为cp感、拉扯力。在非和非里,秦奋和梁笑笑之前是有拉扯感的,两人的初识、相处、秦奋对梁笑笑的拯救,都会让人觉得他俩有关系。但在非里面,我感受不到他们之间有任何牵扯感了,这也许跟演员有关,像葛优说的,他过了演爱情片的年纪,也许只是导演的问题。我不知道冯导为什么拍不出拉扯感,也许他认为结婚多年两地分居的两个人之间不需要这种感觉,总之,冯导显然只选择了第一个要素——讲故事,但也没有讲好。电影整体看下来很别扭,多巴胺配色,AI机器
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从热搜上面来的,那个名场面竟然是想象出来的,也是太搞笑了吧,男女主,妥妥的拿反剧本啊,小鹿总绝了,酷酷的,又奶奶的,男主是嫁过去的,哈哈哈。姑姑因为欠债,成就了一场婚姻,由抵触到相爱。唐萍也是哈哈哈,爱女主,她和女主相爱相杀,我还挺喜欢副cp的,鹿亦尧和蔡思雨两个人绝了,追妻火葬场,期待鹿亦尧的精彩名场面,哈哈。
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该剧改编自虹影同名长篇小说,讲述了年,岁少年窦小明因受伤进了医院,认识了对他照顾和关爱有加的护士佳惠。佳惠生得美貌,却嫁给当地混社会的青年钢哥,常常遭受家暴。窦小明得知此事后打抱不平,从此改变了他们三人的命运。这部影片通过一个充满激情与泪水的感人故事,向观众展现了重庆山城的独特魅力和人与人之间的真挚情感,令人难忘。